PRIVATE THEATRE PROJECTION SCREENS BY
STEWART FILMSCREEN

Stewart have made Hollywood sparkle with excitement, home cinemas glow with wonder, and conference halls shine with inspiration. Driven by a passion to continually craft products that are smarter, stronger and perfectly fit for you. When major movie production companies need a screen for their post-production editing as well as for their screening rooms, they go to Stewart – and they have for a long time. Stewart Filmscreen are the only screen manufacturer to win Academy Awards for technical merit. SnoMatte 100,  StudioTek 100, StudioTek 130 G4, and UltraMatte 130 are the reference screens. These unrivalled screens deliver the director’s vision — to see their films in true, life rendering colours and with centre to edge uniformity.

Every component of a Stewart screen is built by the in-house team. Beginning with raw plastic resins and pigments, they compound and form them into finished fabrics and continue through with thoughtful frame design and construction. One screen does not fit all projection needs; projection conditions vary. That is why we are application driven. Room seating, throw distances, ambient lighting, front and rear projection requirements, 3D workflow, and other factors all impact the image on the screen. Stewart make over 25 different screen materials to meet the demands of each projection environment. As always, each screen is meticulously custom made for your specific application.

Uniformity and colour accuracy are everything

Do you want the best viewing experience? Only Stewart can promise and deliver colour uniformity no matter your viewing angle. Additionally, you can rest assured that the colours coming from your projector are not being altered by the screen.

Unmatched quality, always seamless

“Virtually seamless” is not the same as seamless. All seams become detectable over time. Uneven tensions are at work on either side of any seam. As the fabric ages, irregularities appear. Dirt and dust can also accumulate along the seam. On roller screens, seams turn into repeating impressions of horizontal bars which will appear in the viewing area. With Stewart, you never have seams. All the way to 40 by 90 feet – unmatched in the industry.

The masters of masking

The masking systems feature closed loop digital control interfaces, all encoder equipped to store positions. Each one is simple to program, jog, and will work flawlessly with all room automation systems. Our masking fabrics have been carefully sourced to combine deep black absorption of stray light with superb acoustical transparency.

Uniformity and colour accuracy are everything

Do you want the best viewing experience? Only Stewart can promise and deliver colour uniformity no matter your viewing angle. Additionally, you can rest assured that the colours coming from your projector are not being altered by the screen.

Unmatched quality, always seamless

“Virtually seamless” is not the same as seamless. All seams become detectable over time. Uneven tensions are at work on either side of any seam. As the fabric ages, irregularities appear. Dirt and dust can also accumulate along the seam. On roller screens, seams turn into repeating impressions of horizontal bars which will appear in the viewing area. With Stewart, you never have seams. All the way to 40 by 90 feet – unmatched in the industry.

The masters of masking

The masking systems feature closed loop digital control interfaces, all encoder equipped to store positions. Each one is simple to program, jog, and will work flawlessly with all room automation systems. Our masking fabrics have been carefully sourced to combine deep black absorption of stray light with superb acoustical transparency.

Many Stewart customers tell them how they have gone through multiple projector upgrades while their Stewart screen continues to perform perfectly. You know you are getting durability and a lasting quality when you purchase Stewart.